Music makers

Project of Auckland music maker Jonathan Glenday, who also makes dance tracks as Fly Nights and plays guitar in Long Distance Runner.

Mo H. Zareei has the most fortuitous initials for a sound artist with an interest in the foundational blocks of electronic sound. So, yeah, his releases show up under “mHz”, as in “millihertz”. Mo is an Iranian sound artist based in Wellington, where he lectures in composition and sound art. Most of his releases to date have music of interest to ambient fans, with his most recent releases in very sparse, almost completely beatless territory.

Tofujuice makes long, usually soft ambient tracks with varying amounts of noise.

èvia dropped their debut on Chicago’s Lillerne Tapes and is keeping pretty anonymous. Crisp, bright, concise electronic sounds.

John Kingston layers up fx-laden guitars under this alias. He’s also been collaborating, introducing other primarily acoustic instruments into the mix of what he does.

James Erwin has an album of bright and sparkly synth stuff that nods to dance culture and song forms, but minus the drums.

Ike’s music has a bit of a conceptual bent, often featuring clean digital synths, spoken word samples and dramatic bursts of sub bass.

Woodbury is Wellington-based composer “juxtaposing noise and glitch textures against ambient materials”. He’s got two albums via Rattle Records, one solo and one with Peter Lilley.

Although he might be better known for jazz piano, Alan Brown’s recent music has gone very textured and ambient, with some parts generated by software, some parts improvised.

While Marika Pratley’s project is often at least a bit dancey, she has an EP with “slothersized” remixes of already mellow tracks, “exploring slowing down, lo-fi and granular aesthetics.”